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Faculty of Art
Department of Fine Art Textiles Course テキスタイル専攻

From traditional dyeing and weaving to novel expressions using cloth and thread

The majority of textiles today are created by weaving threads together into a cloth, which is then dyedin many unique and beautiful colors. These colors and the textures of different materials are what make textiles so attractive.In the Course in Textiles, students use Kyoto Seika’s best-in-class facilities to learn a wide range of techniques that include silk-screening, braided dyeing, katazome stencil dyeing, weaving, felting, and sewing.Taking advantage of our location in Kyoto, we also provide students with opportunities to learn traditional techniques such as yuzen dyeing and Nishijin-ori weaving.This unique course allows students to explore expression through cloth, an integral part of our daily lives, and pursue textile creation as art.By combining original ideas with a wealth of knowledge and advanced techniques, students can also become artists who create new forms of expression.

Subject Highlights

  • Exploring the Possibilities of Textiles through Dyeing, Weaving, and Fiber Art

    [Expression Seminar & Applied Practicum / Year 3]
    Students refine their craft under the guidance of instructors who specialize in various techniques, which include dyeing, weaving, felting, silk-screen printing, and sewing. Students explore the themes of fiber art and installation in the first quarter, wax-resist dyeing and kimono in the second, and texture in the third, deepening their grasp of the underlying concepts before producing original works using their chosen techniques. The theme for the fourth term is art and design, an independent creative practicum aimed at preparing students for their fourth-year seminar. Students are encouraged to explore the potential of textiles while developing works that reflect their own unique modes of expression.

What You Will Study

  1. 1STYEAR

    Laying a solid artistic and creative foundation

    Students take cross-listed courses at the Faculty of Art to improve their observational, critical thinking, imagination, and other skills needed to build a firm artistic and creative foundation.They also learn the basics across all seven courses and start to explore which fields they would like to pursue.

  2. 2NDYEAR

    Acquiring basic techniques

    Students deepen their understanding of basic techniques as well as the history of various techniques, including silk-screen printing and katazome stencil dyeing. Seminars on technique are divided into dyeing, weaving, and sewing.

  3. 3RDYEAR

    Expressing each theme through dyeing and weaving

    Students explore the potential of textile expression by interpreting themes such as Communication and Environment, developing them into their own works, and expanding their creativity and critical thinking skills.

  4. 4THYEAR

    Pursuing a unique expression of your own

    Students work on their graduation projects, making full use of the skills and expressive abilities they have developed over the past four years.They complete the final work of their student career in pursuit of originality and their own creative expression.

What You Will Learn

  • The ability to conceptualize and create three-dimensional works that make the most of a physical space
  • The ability to handle fibers through techniques including weaving and sewing
  • Traditional Japanese dyeing and weaving techniques such as katazome and yuzen

Selected Artwork

Facilities

Our weaving studio is equipped with professional-grade looms.

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  • Our washing area, used after dyeing, was designed for maximum efficiency.

  • A large steamer is used to set or "fix" the colors on fabrics during the dyeing process.

  • Studio for katazome dyeing.In addition to large two-dimensional works, there is also room to spread out and work with yukata and kimono fabrics.

Photo Gallery

Academic Faculty

Careers

Career Opportunities
Textile Designer , Interior Designer , Product Designer , Dye Artist , Artisan , and many more.
 
Major Employers
Clothing Manufacturers , Textile Manufacturers , Kimono Boutiques , Educational Institution , and many more.

Voice

  • IWAI Madoka Current Student

    Fulfilling a long-held dream of learning how to dye

    I first became interested in the world of fabric dyeing as a high school student.My interest was first sparked by Ise katagami, a traditional craft of my hometown in Mie Prefecture.I was drawn to the highly technical, delicate nature of its handiwork and decided to enroll at Kyoto Seika, where I could study traditional katazome stencil dyeing in depth, even without prior experience.Katazome is a technique as precise as kirie papercutting, requiring accuracy at each step of the process.The wave of emotion you feel when you complete a piece is well worth the amount of time it takes.As a beginner, my professors guided me every step of the way, so it was a very welcoming place to learn.I was also drawn to Kyoto Seika because of its location in Kyoto, a city with a rich history of dyeing, including yuzen dyeing.I was particularly impressed by the Practice on Traditional Industry of Kyoto, which allows students to study in the workshops of traditional industries.In that course, I visited a Japanese urushi lacquer workshop for two weeks of hands-on training.I usually work with cloth, so working with wood and lacquer was a totally new experience for me.The unfamiliar materials and processes proved to be challenging, but in the end, I was able to transfer my katazome design to lacquer painting and work on my piece.I think that this environment has challenged me in a variety of ways and broadened the scope of my practice.For my graduation work, which will be the culmination of my four years of study, I would like to use dyeing to recreate the scenery of my hometown in Toba.After university, I will stay in Kyoto and work for a company that specializes in Japanese accessories,but I also plan to continue making textiles even after I graduate.
  • NAKAGAWA Hirotaka Academic Faculty

    Experience the unique pleasure of working with color as a physical material.

    My research focuses on the field of sewing—stitch-based techniques such as embroidery and machine work. I first encountered sewing during my time in art school, while searching for a form of expression that felt uniquely my own. I still remember how deeply I was moved by that first stitched line—how unexpectedly precious it felt. Lately, my focus has been on the theme of “wind.” Drawing from sketches of the Katsura River area in Kyoto, I’m exploring how to express the movement of wind through embroidery. I approach my research with a simple intention: to stay fully present—not looking back, not trying to predict what’s ahead, but paying attention to what’s right in front of me. 
    The Textiles Course covers a wide range of techniques, including stencil dyeing, wax-resist dyeing, yuzen, silkscreen printing, sewing, felting, and more. Students are encouraged to experiment with diverse materials in their work and can even develop installation-based pieces. This flexibility is one of the defining strengths of the program. What makes dyeing and weaving so compelling is how texture and color are inseparable— put simply, color becomes something you can treat as material. First-time students often tell me how fun and unexpectedly rewarding the experience is. If you're even a little curious, I encourage you to give it a try. I hope you'll come to know the quiet satisfaction that comes from building your skills through patience and persistence.